Fill the room: 10 AI skills for events and nights that sell

event-idea-picker

pick the night that will actually sell, not the one you fancy

How the two work together

Claude thinks it through. Paste the Claude prompt into Claude Code, or drop the folder into your skills folder. Claude does the judgement: what to look for, what is worth doing, what is right.

Codex gets it done. At the hand-off point Claude runs Codex on your machine with one command and passes it the Codex prompt. Codex does the mechanical part and hands the result back. Claude checks it before you see it.

No API key to set up: Claude calls the Codex you already have installed. If Codex is not installed, Claude does that half itself and tells you.

Prompt for Claude

---
name: event-idea-picker
description: Takes a list of event ideas you are considering for your pub, bar, restaurant or hotel and returns them ranked, with the ones you cannot lawfully run on your existing licence struck out, the ones that need a Temporary Event Notice flagged with the deadline to apply, a break-even number for each survivor, and one recommendation with the reason. Use before you book a band, print a poster or promise anybody a date.
---

# Pick the night that will actually sell, not the one you fancy

You give this your list of ideas, your premises licence, the days your venue is already quiet, and what you can spend. You get back a ranked shortlist: every idea that your current licence does not cover struck out with the reason, every idea that needs a Temporary Event Notice flagged with the date the notice has to be in, a break-even ticket or cover number for each idea that survives, and one recommendation with a runner-up. It will not tell you an idea will work. It tells you what each one costs to stand up, what permission it needs, and which of them you can run on the date you want.

## What it does

1. **Read the premises licence first and write down what it already lets you do, because that decides which ideas are real.** Section 1 of the Licensing Act 2003 lists the licensable activities as "(a) the sale by retail of alcohol, (b) the supply of alcohol by or on behalf of a club to, or to the order of, a member of the club, (c) the provision of regulated entertainment, and (d) the provision of late night refreshment". Late night refreshment is the sale of hot food or drink to the public between 11pm and 5am. Copy out of the licence: the permitted hours for each activity, the capacity, any condition on live or recorded music, any condition on outside areas, and any condition on door staff. An idea that runs past your permitted hours is not an idea, it is a variation application, and it belongs in a different column.

2. **Put the four licensing objectives at the top of the shortlist and judge every idea against them, because your council will.** Section 4 of the Act sets them out: "the prevention of crime and disorder", "public safety", "the prevention of public nuisance" and "the protection of children from harm". These are not a formality. They are the grounds on which a resident, the police or environmental health can ask for your licence to be reviewed, and a review is how a venue loses the hours it trades on. Write one line per idea saying which objective it puts under most pressure and what you would do about it. A late DJ night in a terraced street is a public nuisance question. A student promotion is a crime and disorder question and a mandatory conditions question. An all-ages afternoon is a protection of children question.

3. **Check the calendar against real fixed dates before you fall in love with a day.** The England and Wales bank holidays published on GOV.UK are the ones to work around: in 2026, 1 January, 3 April, 6 April, 4 May, 25 May, 31 August, 25 December and the Boxing Day substitute on 28 December; in 2027, 1 January, 26 March, 29 March, 3 May, 31 May, 30 August, and substitute days on 27 and 28 December. Then add the dates that are local and beat all of those: the school holidays for your catchment, the fixture list for the nearest ground, the town's own market or carnival, and anything already in your own diary. Pick the night from your own till data for the last twelve months, never from a seasonal pattern somebody quoted at you. Your quiet Tuesday is a fact about your venue.

4. **Cost each idea to the floor before you rank it, because the break-even number is the decision.** For every idea list the money that leaves before a customer arrives: the performer or host fee, the extra staff hours at the rate you actually pay, food or ingredient cost at your own prices, decoration and print, the music licence, and anything hired. Add them and divide by the gross margin you make on an average head on a normal night, worked out from your own figures. That gives the number of people who have to come for the night to pay for itself. Write that number next to the idea in plain words: "forty-two people through the door before this makes a penny." An idea whose break-even number is bigger than the room is dead, and this is the step that finds it in ten minutes rather than on the night.

5. **Separate the ideas that need no new permission from the ones that do, using the music deregulation as it actually stands.** Section 177A of the Licensing Act 2003, read with paragraph 12A of Schedule 1, takes live music and recorded music out of regulated entertainment where the premises are licensed for the on-supply of alcohol and are open for that purpose, the audience is "no more than 500 persons", and it happens "between 8am and 11pm on the same day". GOV.UK puts the same test as: "it takes place between 8AM and 11PM; and it takes place at an alcohol on-licensed premises; and the audience is no more than 500 people". Indoor sporting events are deregulated on the same hours up to 1,000 spectators. Two traps: the exemption falls away the moment the clock passes 11pm, so a band booked to finish at 11.30pm is a different legal animal from the same band finishing at 10.45pm; and section 177A lets a licensing authority put music conditions back on at a review, so read your own licence for conditions imposed that way before relying on the exemption.

6. **Flag every idea that needs a Temporary Event Notice with the date the notice has to be submitted, not the date of the event.** A TEN covers selling alcohol, providing entertainment and serving hot food or drink between 11pm and 5am at a one-off event. Section 100 of the Act caps the event period at "not exceeding 168 hours" and requires "the maximum number of persons (being a number less than 500)" on site at once, staff included. GOV.UK states the notice must be given "at least 10 clear working days before your event", that a late TEN can be given "5 clear working days before the event (but not earlier than 9 clear working days)", and that the fee is £21, with a copy to the police and to environmental health. Count the clear working days backwards on a real calendar including bank holidays, and put that date in the diary as a hard deadline, because a missed deadline kills the night and not the paperwork.

7. **Check the idea against the annual TEN allowance before you plan a series, because the allowance runs out quietly.** Section 107 requires the licensing authority to issue a counter notice once the limits are reached. For the premises, the triggers are at least 15 temporary event notices in a year, or more than 21 days in the year covered by permitted temporary event periods. For the individual giving the notice, a personal licence holder hits the limit at 50 notices or 10 late notices in a calendar year, and a person without a personal licence at 5 notices or 2 late notices. Count what has already been used this calendar year before proposing a monthly event. Four ideas that each need a TEN are one idea with a supply problem, and the person whose name goes on the notices is the constraint people forget.

8. **Kill the quiz night with a raffle attached before it becomes an illegal lottery.** Section 14 of the Gambling Act 2005 makes an arrangement a simple lottery where "persons are required to pay in order to participate", prizes are allocated to members of a class, and "the prizes are allocated by a process which relies wholly on chance". A quiz itself is usually a prize competition rather than a lottery because, in the Gambling Commission's words, the "outcome is determined by the participants skill, judgement or knowledge", and the skill needed must "prevent a proportion of those who enter from winning a prize". The raffle on the side is the problem. The Commission's guidance on incidental lotteries is that the lottery "must be promoted wholly for a purpose other than that of private gain", tickets cannot be sold "online (which includes social media) or in advance of the event", physical tickets must be issued, no more than £100 of proceeds may go on costs and no more than £500 on prizes. Any idea that fails one of those either changes or comes off the list.

9. **Rank what survives, write one line of reasoning per idea including the rejected ones, and put an owner and a decision date on the winner.** Order the survivors by break-even number, lowest first, and break ties on which one needs the least new permission. Under the table put the recommendation in one sentence, the runner-up in one sentence, and, for every idea struck out, the exact reason and the section or rule that struck it, so the same idea does not come back in six weeks with nobody remembering why it went. Then give the winner a date, a named person who owns it, the TEN deadline if it has one, and a go or no-go review date far enough ahead that cancelling is still cheap. An idea with no owner and no decision date is a conversation, not an event.

## Then it checks

1. Every idea on the list has been compared against the permitted hours, the capacity and the music conditions written on the actual premises licence, and any idea outside them is struck or marked as needing a variation, never quietly kept.
2. Every idea has a break-even number calculated from the venue's own costs and its own average margin, with no industry average, seasonal uplift or attendance benchmark used anywhere in the working.
3. Every idea involving music states whether it falls inside the section 177A exemption, naming the finish time, the expected audience number and whether the premises are open for the on-supply of alcohol, and any finish after 11pm is flagged.
4. Every idea needing a Temporary Event Notice carries the submission deadline as a real date counted back in clear working days, the running total of notices and days already used at the premises this calendar year, and the name of the person who will give the notice.
5. Every idea involving a prize, a raffle, a draw or a quiz states which of lottery, incidental lottery or prize competition it is, and names the specific condition it relies on to stay lawful.
6. Every struck idea carries the reason and the section, rule or guidance that struck it, and the recommendation carries a named runner-up and a decision date.

Any check fails: name it, redo that step once. Failed twice: say what is wrong and stop.

## Rules
- Public information only.
- Never invent a fact, a number or a quote.
- Anything sent in someone's name says whose name it is.
- Never state an expected attendance, a sector average, a conversion rate or a "quiz nights typically draw" figure. No published number exists for a single independent venue, and an owner who plans against a borrowed figure will book a band the room cannot pay for.
- Never tell an owner an idea is licensed, permitted or compliant. It reports what the licence and the published rules say and names what to ask the licensing officer, and the licensing officer decides.
- Never recommend an idea on the strength of enthusiasm, a competitor doing it, or a social media trend. Every ranking position has to trace back to a cost, a permission or a date.
- Never keep an idea alive with a caveat. An idea that needs a permission the venue does not hold is either moved to the variation column with the work named, or struck.
- Never propose a drinks promotion, a drinking game, an unlimited-drinks offer or a prize for drinking. Those are hit directly by the mandatory licensing conditions and they are how a venue ends up at a licence review.
- This output is a working document prepared for the owner to check against their own premises licence, their own accounts and their own diary, and for their licensing officer, accountant or solicitor to check before anything is booked or advertised. It gathers published rules and applies the owner's own figures. It is not legal advice and it is not a licensing decision.

## Built from
- Licensing Act 2003, section 1, https://www.legislation.gov.uk/ukpga/2003/17/section/1, read 16 September 2026: the four licensable activities quoted in step 1, which is the list an idea has to be checked against.
- Licensing Act 2003, section 4, https://www.legislation.gov.uk/ukpga/2003/17/section/4, read 16 September 2026: the four licensing objectives in step 2.
- Licensing Act 2003, section 177A, https://www.legislation.gov.uk/ukpga/2003/17/section/177A, and Schedule 1 paragraph 12A, https://www.legislation.gov.uk/ukpga/2003/17/schedule/1/paragraph/12A, read 16 September 2026: the 500 person and 8am to 11pm conditions in step 5, and the point that conditions can be re-imposed on a review.
- GOV.UK, "Entertainment licensing changes under the Live Music Act", https://www.gov.uk/entertainment-licensing-changes-under-the-live-music-act, no publication date shown on the page, read 16 September 2026: the plain wording of the deregulated test and the 1,000 spectator figure for indoor sporting events in step 5.
- GOV.UK, "Temporary Events Notice", https://www.gov.uk/temporary-events-notice, no publication date shown on the page, read 16 September 2026: the 10 clear working days, the late TEN window of 5 to 9 clear working days, the £21 fee and the copies to police and environmental health in step 6.
- Licensing Act 2003, section 100, https://www.legislation.gov.uk/ukpga/2003/17/section/100, and section 107, https://www.legislation.gov.uk/ukpga/2003/17/section/107, read 16 September 2026: the 168 hour and under-500 conditions in step 6, and the 15 notices, 21 days, 50/10 and 5/2 counter notice triggers in step 7.
- Gambling Act 2005, section 14, https://www.legislation.gov.uk/ukpga/2005/19/section/14, read 16 September 2026: the definition of a simple lottery in step 8.
- Gambling Commission, "Free draws and prize competitions", https://www.gamblingcommission.gov.uk/public-and-players/guide/page/free-draws-and-prize-competitions, and "How to run a fundraiser with lotteries or raffles at events", https://www.gamblingcommission.gov.uk/public-and-players/guide/page/how-to-run-a-fundraiser-with-lotteries-or-raffles-at-events, no publication dates shown on the pages, read 16 September 2026: the skill test for a prize competition and the £100, £500, no-advance-sales and not-for-private-gain conditions on an incidental lottery, all in step 8.
- GOV.UK, "Bank holidays", https://www.gov.uk/bank-holidays, no publication date shown on the page, read 16 September 2026: the 2026 and 2027 England and Wales dates in step 3.
- Committee of Advertising Practice, CAP Code (Edition 12), Section 3 "Misleading advertising", https://www.asa.org.uk/type/non_broadcast/code_section/03.html, no publication date shown on the page, read 16 September 2026: rule 3.7's requirement to hold documentary evidence before publication, which is why step 9 makes every claim in the reasoning traceable.

Prompt for Codex

# event-idea-picker

## You are given
The list of event ideas the owner is considering, each as a short description with a proposed day of the week, a proposed start and finish time, an expected audience number and whatever the owner has already decided about a performer or host. The premises licence for the venue, as a document or as typed-out extracts, showing the permitted hours for each licensable activity, the capacity and every condition on the licence including any music condition. The venue's own cost figures: the hourly rates actually paid to staff, the gross margin on an average head on a normal trading night, ingredient or food costs, and any quoted fee for a performer, host, hire or print. The count of temporary event notices and permitted temporary event days already used at this premises in the current calendar year, and the count already used by the individual who would give any new notice, with whether that individual holds a personal licence. The venue's own trading figures by day of week for the last twelve months. The judgements already made by Claude and supplied to you: for each idea, whether it falls inside or outside the premises licence, whether it needs a Temporary Event Notice, which gambling category any prize element falls into, and the final ranking, recommendation and runner-up with their one line reasons.

## Produce
Write into a `./event-idea-picker-output/` folder:

1. `ideas.csv` with these columns in this order: `idea_ref`, `idea_name`, `description_verbatim`, `proposed_day`, `proposed_date`, `start_time`, `finish_time`, `expected_audience`, `venue_capacity`, `inside_current_licence`, `licence_reason`, `needs_ten`, `ten_deadline_date`, `status`. `idea_ref` is E001 upward. `inside_current_licence` and `needs_ten` are `yes`, `no` or `not supplied`. `status` is exactly `ranked`, `variation needed` or `struck`.
2. `licence-check.csv` with columns: `idea_ref`, `activity`, `permitted_hours_on_licence`, `proposed_hours`, `hours_within_licence`, `capacity_on_licence`, `expected_audience`, `capacity_within_licence`, `music_condition_verbatim`, `music_exemption_applies`, `finish_after_2300`, `objective_under_pressure`. `activity` is exactly one of `sale of alcohol`, `regulated entertainment`, `late night refreshment`, `none of these`. `objective_under_pressure` is exactly one of `prevention of crime and disorder`, `public safety`, `prevention of public nuisance`, `protection of children from harm`, `none identified`.
3. `break-even.csv` with columns: `idea_ref`, `cost_item`, `cost_category`, `amount_gbp`, `source_of_figure`. One row per cost item, plus one `TOTAL` row per idea. `cost_category` is exactly one of `performer or host fee`, `extra staff hours`, `food or ingredients`, `print and decoration`, `music licence`, `hire`, `other`. Every row names where the figure came from, and no row is written from an estimate that was not supplied.
4. `break-even-summary.csv` with columns: `idea_ref`, `total_fixed_cost_gbp`, `gross_margin_per_head_gbp`, `break_even_heads`, `venue_capacity`, `break_even_exceeds_capacity`. `break_even_heads` is the total fixed cost divided by the gross margin per head, rounded up to a whole person.
5. `ten-allowance.csv` with columns: `counter`, `limit`, `used_this_year`, `remaining`, `source_of_used_figure`. Rows, in this order: `notices at these premises` limit 15; `permitted temporary event days at these premises` limit 21; `notices by this individual` limit 50 where a personal licence is held and 5 where it is not; `late notices by this individual` limit 10 where a personal licence is held and 2 where it is not. Write `not supplied` in `used_this_year` where the owner has not given the count, and list it in `gaps.md`.
6. `date-clashes.csv` with columns: `idea_ref`, `proposed_date`, `clash_type`, `clash_detail`, `source`. `clash_type` is exactly one of `bank holiday`, `school holiday`, `local fixture or event`, `already in the venue diary`, `none found`.
7. `prize-elements.csv` with columns: `idea_ref`, `prize_element_description`, `category_supplied`, `condition_relied_on`, `payment_required_to_enter`, `chance_or_skill`, `tickets_sold_in_advance_or_online`, `costs_from_proceeds_gbp`, `prizes_from_proceeds_gbp`, `for_private_gain`. `category_supplied` is exactly one of `lottery`, `incidental lottery`, `prize competition`, `free draw`, `no prize element` and is copied from the judgement supplied, never decided here.
8. `ranking.md` - the ranked table of surviving ideas with the break-even number and the permission each still needs, then the recommendation, the runner-up and the one line reason for each, all copied verbatim from the judgement supplied. Under it, every struck idea with the reason and the section, rule or guidance cited, verbatim as supplied.
9. `gaps.md` - a numbered list of: any idea with no proposed date; any idea with no expected audience number; any cost item with no source; any idea with no gross margin per head to divide by; any temporary event notice count not supplied; any licence condition the owner could not produce; any prize element with no category supplied; and any idea whose break-even number exceeds the venue capacity.

## Rules
- Codex measures, counts, records and checks. It never decides whether an idea is inside the licence, never decides which gambling category a prize element falls into, never ranks an idea, and never writes the recommendation. Those judgements arrive with the input.
- Never invent a cost, a margin, an attendance figure or a capacity. A figure with no supplied source is written as `not supplied` and listed in `gaps.md`.
- Never write an industry average, a seasonal uplift, an expected turnout or any benchmark attendance into any file. No such figure exists for a single independent venue.
- Never soften a struck idea. A struck idea stays struck, keeps its citation, and does not appear in `ranking.md` above the line.
- Temporary event notice deadlines are counted, not estimated: count clear working days backwards from the event date, excluding weekends and the England and Wales bank holidays supplied, and write the resulting calendar date.
- Every quoted licence condition, idea description and reason is copied exactly, including its punctuation and capitalisation.
- Money is in GBP with the pound sign and two decimal places. Dates are DD Month YYYY. Times are 24 hour. British English throughout.
- No em dash characters in any file you write. Use a comma, a full stop or the word "and". A supplied line containing one is recorded verbatim and flagged in `gaps.md`.
- Every file ends with this line: this is a working document prepared for the owner to check against their own premises licence, accounts and diary, and for their licensing officer, accountant or solicitor to check before anything is booked or advertised. It is not legal advice and it is not a licensing decision.

## Return
The absolute path of each file written and the row count of each CSV. The number of ideas supplied, the number ranked, the number marked as needing a variation and the number struck, with the reason count by type. The break-even number for every ranked idea and the name of any idea whose break-even exceeds the venue capacity. The Temporary Event Notice deadline date for every idea that needs one, and the remaining allowance on each of the four counters or the words "not supplied". Every date clash found, by idea. Every prize element and the category supplied for it. The recommendation and the runner-up exactly as recorded. The `gaps.md` item count.

Built from the best public work on this

Sources for event-idea-picker

Everything below was opened and read on 16 September 2026. Nothing is cited that could not be loaded.

1. Licensing Act 2003, section 1

https://www.legislation.gov.uk/ukpga/2003/17/section/1, no publication date shown on the page, read 16 September 2026.

Four lines of statute that decide whether an idea is an idea. Section 1(1) gives the licensable activities as "(a) the sale by retail of alcohol, (b) the supply of alcohol by or on behalf of a club to, or to the order of, a member of the club, (c) the provision of regulated entertainment, and (d) the provision of late night refreshment."

This is step 1 of the skill, and it is first for a practical reason rather than a legal one. Owners start from the idea and work towards the paperwork, which means the paperwork arrives as an obstacle late on, usually after somebody has been promised a date. Starting from the list forces the opposite order: read the licence, write down what it already permits, then see which ideas fit inside that and which do not. The four headings also sort the ideas cleanly. A wine tasting is the first heading. A band is the third. A late kitchen for a club night is the fourth, and it is the one owners most often miss, because "serving food" does not feel like a licensable activity until the clock passes eleven.

Where the skill departs: section 1 is the gateway, not the detail. It says nothing about hours, capacity or conditions, all of which live on the individual licence, so the skill treats the section as a sorting list and treats the owner's own licence document as the authority on what is permitted. The skill never tells an owner their licence covers something. It records what the licence says and what the section calls it, and sends the question to the licensing officer.

2. Licensing Act 2003, section 4

https://www.legislation.gov.uk/ukpga/2003/17/section/4, no publication date shown on the page, read 16 September 2026.

The four licensing objectives: "the prevention of crime and disorder", "public safety", "the prevention of public nuisance" and "the protection of children from harm".

These became step 2 because they are the language in which an event idea will be challenged if it is challenged at all. A resident does not complain that a night was badly chosen. They complain about noise, and noise is the third objective, and the third objective is a ground on which the licence itself can be reviewed. Putting the objectives at the top of the shortlist changes what the owner writes down: instead of "late DJ night, sounds good", the line becomes "late DJ night, public nuisance, terraced street, needs a finish time and a smoking area plan". That is a usable thought.

The skill asks for one objective per idea rather than a full assessment against all four. That is a deliberate limit. A full assessment is a licensing exercise and belongs to the licensing officer. Naming the one that bites is something an owner can do in a minute and is enough to rank ideas by how much trouble they carry.

Where the skill departs: section 4 also imposes duties on the licensing authority, and the skill takes none of that. It uses the objectives purely as a sorting test at the idea stage, and says explicitly that it is not a licensing decision.

3. Licensing Act 2003, section 177A, and Schedule 1 paragraph 12A

https://www.legislation.gov.uk/ukpga/2003/17/section/177A and https://www.legislation.gov.uk/ukpga/2003/17/schedule/1/paragraph/12A, no publication dates shown on the pages, read 16 September 2026.

Paragraph 12A(1) provides that "The provision of entertainment consisting of one or both of the following is not to be regarded as the provision of regulated entertainment for the purposes of this Act if the conditions in sub-paragraph (2) are satisfied - (a) a performance of live music; (b) the playing of recorded music", and sub-paragraph (2) points at section 177A. Section 177A carries the conditions: premises licensed for the supply of alcohol for consumption on the premises and open for that purpose, amplified music with an audience "of no more than 500 persons", and the music taking place "between 8am and 11pm on the same day". It also provides that a condition relating to live or recorded music "does not have effect in relation to the music" unless the licensing authority has put it back through a review.

Two things in that make it into step 5. The first is the 11pm cliff edge: the exemption is written by time of day, not by duration, so a band that finishes at 11.30pm sits outside it entirely and the whole night changes category. Owners book finish times casually and this is where it costs them. The second is the review carve-out. The skill does not let an owner rely on the exemption without reading their own licence for conditions imposed on a review, because those conditions survive the exemption and are invisible unless somebody looks.

Where the skill departs: 177A is intricate, with separate treatment of unamplified music, workplaces and non-alcohol premises, and the skill does not teach all of it. It tests the one case that covers most pubs, bars and restaurants, which is amplified music at on-licensed premises, and flags anything else as a question rather than answering it.

4. GOV.UK, "Entertainment licensing changes under the Live Music Act"

https://www.gov.uk/entertainment-licensing-changes-under-the-live-music-act, no publication date shown on the page, read 16 September 2026.

The plain-English counterpart to source 3, and the version worth putting in front of an owner. It sets the test as: "it takes place between 8AM and 11PM; and it takes place at an alcohol on-licensed premises; and the audience is no more than 500 people". It gives the parallel positions for plays and dance performances, "it takes place between 8AM and 11PM; and the audience is no more than 500 people", and for indoor sporting events, where "the number of spectators is not more than 1000 people".

The indoor sport figure is the reason this page is cited separately rather than folded into the statute reference. Darts, pool and boxing nights are common hospitality event ideas and they sit on a different number from music, which surprises people who have learned "500" as a general rule.

Where the skill departs: the page also covers places of worship, village halls, schools and hospitals. None of that applies to a pub, bar, restaurant or hotel and the skill leaves it out rather than padding the checklist. The page does not state what happens when an audience limit or a time window is exceeded, so the skill does not claim a consequence. It flags the breach of the condition and sends the question to the licensing officer.

5. GOV.UK, "Temporary Events Notice", and Licensing Act 2003 sections 100 and 107

https://www.gov.uk/temporary-events-notice, no publication date shown on the page; https://www.legislation.gov.uk/ukpga/2003/17/section/100 and https://www.legislation.gov.uk/ukpga/2003/17/section/107, no publication dates shown on the pages. All read 16 September 2026.

The GOV.UK page gives the operational numbers: a TEN covers "selling alcohol", "serving alcohol to members of a private club", "providing entertainment, such as music, dancing or indoor sporting events", and "serving hot food or drink between 11pm and 5am"; the event must have "fewer than 500 people at all times - including staff running the event" and "last no more than 168 hours (7 days)"; the notice goes in "at least 10 clear working days before your event", a late TEN can be given "5 clear working days before the event (but not earlier than 9 clear working days)", the fee is £21, and a copy goes to the police and environmental health.

The statute supplies the limits that stop a series before it starts. Section 100 carries the "not exceeding 168 hours" event period and "the maximum number of persons (being a number less than 500)". Section 107 sets the counter notice triggers: at least 15 notices for the same premises in a year, more than 21 days of permitted temporary event periods at those premises in a year, and for the individual giving the notice, "50 temporary event notices" or "ten late temporary event notices" where a personal licence is held, and "five temporary event notices" or "two late temporary event notices" where one is not.

Steps 6 and 7 come straight out of this. The reason they are two steps rather than one is that owners treat the deadline as the whole problem and the allowance as nobody's problem, and it is the allowance that quietly kills a monthly event in September. Note also that the person is a counter as well as the premises, which is why the skill asks who will give the notice before it asks anything else about the event.

Where the skill departs: the Act allows the Secretary of State to vary these numbers by order, and section 107 already shows temporarily raised figures for 2022 and 2023 in its own text. The skill therefore records the numbers as read on 16 September 2026 with that date attached, and instructs that they be re-read rather than carried forward.

6. Gambling Act 2005 section 14, and Gambling Commission guidance on prize competitions and on raffles at events

https://www.legislation.gov.uk/ukpga/2005/19/section/14; https://www.gamblingcommission.gov.uk/public-and-players/guide/page/free-draws-and-prize-competitions; https://www.gamblingcommission.gov.uk/public-and-players/guide/page/how-to-run-a-fundraiser-with-lotteries-or-raffles-at-events. No publication dates shown on the Commission pages. All read 16 September 2026.

Section 14 gives the test: an arrangement is a simple lottery where "persons are required to pay in order to participate in the arrangement", prizes are allocated to members of a class, and "the prizes are allocated by a process which relies wholly on chance".

The Commission's page on free draws and prize competitions gives the escape route for a quiz: the "outcome is determined by the participants skill, judgement or knowledge", and the skill required must be enough to "prevent a proportion of those who enter from winning a prize" without being so hard that it discourages entry. Its page on raffles at events gives the conditions for an incidental lottery: "Lotteries at events do not require a licence from us because they are classed as incidental lotteries", "You can only run an incidental lottery to raise money for charity, not for private gain", "You can't sell tickets online (which includes social media) or in advance of the event", organisers "must provide physical tickets to those taking part", costs are capped at £100 from proceeds and prizes at £500.

This is step 8, and it exists because the phrase "quiz night with a raffle" is one of the most common event ideas in UK hospitality and it contains two entirely different legal objects. The quiz is usually fine. The raffle, run for the venue rather than for a charity, or with tickets sold on the venue's Instagram the week before, is an illegal lottery. Naming which object is which is most of the work.

Where the skill departs: the Commission also licenses society lotteries and registers small society lotteries with local authorities, which is a legitimate route for a venue raising money for a named charity. The skill does not teach that route, because it is a registration exercise with its own timetable, and instead flags the idea and sends the owner to the Commission and the local authority. It also does not advise on whether a particular quiz is hard enough to pass the skill test, which is a judgement the Commission itself declines to make in advance.

7. GOV.UK, "Bank holidays"

https://www.gov.uk/bank-holidays, no publication date shown on the page, read 16 September 2026.

The England and Wales list, read for 2026 and 2027, gave the fixed dates in step 3: 1 January, 3 April, 6 April, 4 May, 25 May, 31 August, 25 December and 28 December in 2026; 1 January, 26 March, 29 March, 3 May, 31 May, 30 August, 27 December and 28 December in 2027.

It matters twice over. Once for the obvious reason, that a bank holiday changes who is in town and what they are doing. And once for a reason owners miss: clear working days for a Temporary Event Notice exclude bank holidays, so an August event whose deadline falls across the summer bank holiday needs the notice in earlier than the arithmetic suggests.

Where the skill departs: the page also carries Scotland and Northern Ireland lists, which the skill does not use, because the Licensing Act 2003 and the Temporary Event Notice regime it is built around apply to England and Wales. A Scottish venue is on a different licensing system entirely and the skill says so rather than adapting the dates.

8. Committee of Advertising Practice, CAP Code (Edition 12), Section 3 "Misleading advertising"

https://www.asa.org.uk/type/non_broadcast/code_section/03.html, no publication date shown on the page, read 16 September 2026.

Used narrowly. Rule 3.7 states: "Before distributing or submitting a marketing communication for publication, marketers must hold documentary evidence to prove claims that consumers are likely to regard as objective and that are capable of objective substantiation." Rule 3.1 is the general one: "Marketing communications must not materially mislead or be likely to do so."

An idea-picking skill is not an advertising skill, but the two meet at the point where the idea gets its name. "The best quiz in town", "award-winning", "back by popular demand" and "only 20 tickets left" are decided at the idea stage and printed before anyone checks them. Step 9's requirement that every line of reasoning trace back to a cost, a permission or a date is rule 3.7 applied one step earlier than the ASA applies it, at the moment the claim is invented rather than the moment it is published.

Where the skill departs: the skill does not write or review the advertising. That is a separate job. It carries the substantiation discipline into the ranking and leaves the copy to be checked before it goes out.

Best public prompt we found for this job

The closest public artefact is the `campaign-plan` skill in Anthropic's `knowledge-work-plugins` repository, raw source at https://raw.githubusercontent.com/anthropics/knowledge-work-plugins/main/marketing/skills/campaign-plan/SKILL.md. The repository has 24,123 stars, read from api.github.com on 16 September 2026.

The part worth taking is its insistence on gathering fixed constraints before generating anything. It asks for a "Timeline", which it defines as "campaign duration and any fixed dates (launch date, event date, seasonal deadline)", and for a budget range, noting that without one it will "generate a channel-agnostic plan and note where budget allocation would matter". That habit, refusing to plan in the absence of the constraint and saying out loud where the missing constraint would have changed the answer, is what steps 3, 4 and 7 do with the calendar, the cost floor and the Temporary Event Notice allowance.

What we did not copy. Its output structure is built around "success metrics" and audience segments, and it asks the user for "previous campaign performance or learnings". For a single venue choosing between a quiz and a supper club, there is no meaningful prior performance data and no segment analysis worth the hour. Asking for it produces invented numbers, which is exactly what the rules of this skill forbid. We replaced the metrics section with one number the owner can verify from their own accounts, the break-even head count, and replaced audience segmentation with the venue's own till data by day of week.

We also did not copy the generative posture. `campaign-plan` produces a plan for the thing you have already decided to do. This skill's entire value is in striking ideas out, which is why more than half of it is kill steps and why every rejected idea keeps its citation. A generator that hands back nine ideas ranked is less useful to an owner than one that hands back three, with six reasons written down so the same six do not come round again.

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